Her new album Lung Bread For Daddy delves even deeper intoself sufficiency, seeing Beth take the reigns on production, instrumentation, album artwork and direction of music videos. This project is entirely her own. I know exactly what I want my record to sound like and apart from drums, I have the ability to play all the instruments, so I did Houghton states.True to form, the first peak of the new album is theself directedvideo (Houghton has also made videos for Ezra Furman, Red Hot Chilli Peppers and LUMP) for lead single Buddy which also stars a bathtub, 3 bottles of vegetable oil and 37 packets of spaghetti.Lung Bread For Daddy sees a meeting in which Beths previous two albums, 2015s Welcome Back To Milk and her debut Yours Truly, Cellophane Nose, take a seat at the table and make amends. Veering wildly between proto-punk, psych rock and the wholesomesong writingof the1970s, taking the listener on a journey through the landscape of her past. It is an honest and often uncomfortable look into the life of a personwhosexperienceshave been touched by a myriad of characters, homes across continents, periods of extreme loneliness, mental illness and a search for an understanding of personal identity. My lyrics are always autobiographical. I have to be ableidentifywith what Im singing, and telling my story is therapeutic.Houghtons insatiable thirst for creation on her own terms has seen her take charge of every aspect of Lung Bread For Daddy including the brutalself portraitthat adorns the cover of this record. Painted from a photograph taken during one of her lowest points, the image depicts Beth devoid not only ofmakeup,butself worthand confidence. I look tired and pretty much destroyed, which is a feeling Ive known many times over; in the aftermath of relationships and that of making a record. Lyrically the album is very naked so Im carrying on the nudity of my previous album covers, only this time its emotional instead of physic