Heavenly Recordings and Sid Gentle Films release the BAFTA Craft Award-winning original soundtracks for Seasons 1 and 2 of the triple-BAFTA Award-winning series Killing Eve. You have to tick every box for a piece of music to work in cinema or TV, says DJ turned film composer David Holmes. It cant just almost work: it has to slot in perfectly. As post- episode surges towards song-seeking app Shazam testify, Holmes and music supervisor Catherine Grieves left no box unmarked with their BAFTA-winning music for Seasons 1 and 2 of BBC Americas Killing Eve. Adapted from Luke Jennings Codename Villanelle novellas by lead-writers Phoebe Waller-Bridge (S1) and Emerald Fennell (S2), the Emmy-winning spy series has established itself as a swaggering, slippery, playful and punchy thriller of cat/mouse obsession like no other. And it comes with killer soundtracks to match, modern classics of pick mix curation cut from the cloth of cinematic style but tailored with a moody, mischievous vivacity of their own. A fan of Waller-Bridges Fleabag, Holmes received scripts for Eve and quickly reported back to the producers: One of the first things I said was, I dont know the sound of Killing Eve but I know it has to be the sound of Killing Eve. Lets create that sound, rather than trying to kind of come up with the derivative of some other kind of score. If both soundtracks testify to Holmes and Grieves taste and care, they also uphold the kind of intuitive emotional connections that make the best soundtracks sing. Its a feeling you have, you just know when somethings working, says Holmes. It was like that every time we dropped the needle on Killing Eve. All the proof is, indeed, just a needle-drop away.