Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, its finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. Its a shift that rewards the risk, reorienting Khruangbins transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering thats always defined it. And it all started with them coming home.